I'm neither a Sony, nor canon shooter, but I shoot a Pentax K-1 with various lenses and telescopes, including the Pentax 70-200 f/2.8, Pentax 300mm F/4, Pentax 150-450 f/5,6 -6.3, and WO Whitecat (Redcat series). From my experience, the Redcat is best.
\n\n \n canon 70 200 f4 vs f2 8
La eterna lucha entre el F4 y el F2.8 esos 1300€ de diferencia entre uno y otro ¿Valen la pena? Vamos a verlo en este vídeo, con resultados reales, y tamb
Its smaller brother, the 100-300 f/4 HSM might be worth considering over something that is or ends at f/2.8. Although the Canon 200 f/2.8 or Sigma 70-200 f/2.8 would also be good choices you might find you wanted to add a 1.4x TC for extra reach at extra cost. With that said, I have zero interest in buying the 70-200 f4 or for that matter the Sony 70-200 f2.8. The new Tamron really does look interesting and I would love to try it out. Especially in the Grand Canyon or Watson Lake here in the Prescott area. Dustin Abbott gave a positive general overview on this Tamron. Maybe a very slight edge to the 2.8 stopped to f4 compared to the f4 at f/4, mainly on the wide end (70mm). Most viewers are never going to notice a difference. Points in favor of the f2.8: Obviously it's a full stop brighter than the f/4, which means better subject/background separation and bokeh. I recently got the 2.8 this week and I already had the f4. I don't think your going to notice sharpness difference without pixel peeping. The f4 was already similar in size to my 70-200 2.8 GM. The 2.8 is just huge, I grabbed it at a good deal otherwise I would not have gotten it for my uses.
F2.8: F4.5: Dubcat wrote: hi - i'm new to photography and about to buy my frist slr. I am stuck between the Sigma 70-200 2.8 vs Canon 70-200 f4 L lenses, as are many others. One problem I have is that due to my inexperience I am finding it hard to work out whether I need the faster lens or not. Is there a BIG difference between the dimmest light
Has a metal mount. Canon EF 100-400mm F/4.5-5.6L IS USM. Canon EF 70-200mm F/2.8L IS II USM. A metal mount is generally superior to a plastic mount as it is more durable. weight. 1.38kg. 1.49kg. We consider a lower weight better because lighter devices are more comfortable to carry.
A lower f-stop (such as f/2.8 or f/4) will result in a brighter image by letting more light through. However, when you open up the aperture like this (f/2.8 or f/4), you’re going to get a much shallower depth of field. This is where you’ll get that infamous bokeh you’ve come to know and love.
Includes lens hood. Canon EF 70-200mm f/2.8L IS III USM. Canon EF 70-200mm f/4L IS II USM. It comes with a lens hood so that you don’t have to buy it separately. These are used to block strong light sources, such as the sun, from the lens to prevent glare and lens flare. Lens hood is reversible.
At 200mm, f/4 can blur the background, but f/2.8 can provide more blur. The primary benefit the Canon EF 70-200mm f/2.8 IS L USM Lens has over the non-IS version is IS (Image Stabilization). (note: the Canon EF 70-200mm f/2.8L IS II USM Lens has replaced the version 1 lens and adds image quality to the advantage list). Aside from the feature
Cons. Some distortion. Large. Not an f/2.8 zoom. The Sony FE 70-200mm F4 G OSS ($1,499.99) is a telephoto zoom lens for Sony's full-frame mirrorless camera system. A 70-200mm zoom is the go-to
Not sure which RF 70-200mm lens you want to buy? This video covers 5 things you should consider before making your purchase and provides some interesting rea

yakim_peled1. When both are in f/4, there is no difference but if you compare wide open shots then the f/2.8 has a considerable edge. For portraits the rule is simple: The faster the better. Thus, the 70-200/2.8 will be better than 70-200/4 IS and the 85/1.8 and 135/2 will be considerably better than both of them.

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